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・ Masayuki Mori
・ Masayuki Mori (actor)
・ Masayuki Mori (film producer)
・ Masayuki Nagare
・ Masayuki Nakagomi
・ Masayuki Naoshima
・ Masayuki Naruse
・ Masayuki Ochiai
・ Masayuki Ochiai (footballer)
・ Masayuki Okano
・ Masayuki Omori
・ Masayuki Onishi
・ Masayuki Ota
・ Masayuki Sakoi
・ Masayuki Sano
Masayuki Suo
・ Masayuki Suzuki
・ Masayuki Suzuki (drummer)
・ Masayuki Suzuki discography
・ Masayuki Takagi
・ Masayuki Takayanagi
・ Masayuki Tanaka
・ Masayuki Tani
・ Masayuki Yamato
・ Masayuki Yanagisawa
・ Masayuki Yanai
・ Masazirgol
・ Masazumi
・ Masazumi Gotoda
・ Masazumi Harada


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Masayuki Suo : ウィキペディア英語版
Masayuki Suo

is a Japanese film director. He is best known for his two Japan Academy Prize-winning films, 1992's ''Sumo Do, Sumo Don't'' and 1996's ''Shall We Dance?''.
==Life and career==
In 1982, along with filmmakers Yoshiho Fukuoka, Itsumichi Isomura, Toshiyuki Mizutani and Akira Yoneda, Suo founded a production company called Unit 5. Suo worked as an assistant director and appeared in the cast of Kiyoshi Kurosawa's directorial debut, the pink film ''Kandagawa Pervert Wars'' (1983).〔Weisser, p.217.〕 At this early stage in his career, Suo also wrote scripts for the pink film genre, such as ''Scanty Panty Doll: Pungent Aroma'' (1983).〔Weisser, p. 308-309.〕 Suo first film as director was also in the pink film genre: ''Abnormal Family: Older Brother's Bride'' (1984), a film designed as a tribute and satire of Yasujirō Ozu's ''Tokyo Story''.〔(Midnight Eye review: Abnormal Family (Hentai Kazoku: Aniki No Yomesan, 1983, director: Masayuki SUO) )〕 In his book on the pink film, ''Behind the Pink Curtain'' (2008), Jasper Sharp calls ''Abnormal Family: Older Brother's Bride'' an early masterpiece, and one of the wittiest films ever made in the genre. Suo not only pokes gentle fun at Ozu's story, but also mimics many of his stylistic techniques, such as shooting his actors from a low, ''tatami''-mat angle, stiff and static characters speaking to each other with mis-matched eye-angles, and a simple, sentimental melody which accompanies the film. In the years since its release, the film has amused film students with the activity of locating and identifying Suo's many nods to Ozu and his ''oeuvre''.〔 ''Abnormal Family'' was Suo's only directorial work in the pink film genre.
He next worked for Juzo Itami, to film "making of" pieces for that director's ''A Taxing Woman'' (1987) and ''A Taxing Woman 2'' (1988).〔 He made his regular feature film debut with ''Fancy Dance'' in 1989, and won the Directors Guild of Japan New Directors Award for his next feature, ''Sumo Do, Sumo Don't'', in 1991.
Suo's 1996 ''Shall We Dance?'' won fourteen awards at the Japanese Academy Awards including Best Actor, Best Actress, Best Director and Best Film〔(【引用サイトリンク】title= Awards for Shall We Dansu? )〕 and performed strongly in U.S. theaters.〔(【引用サイトリンク】title= Box office / business for Shall we dansu? )〕 In 2006, Suo directed ''I Just Didn't Do It'', a legal film starring Ryo Kase. It was followed by the 2012 medical-themed film ''A Terminal Trust''. His musical film, ''Lady Maiko'', screened at the 2014 Shanghai International Film Festival.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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